“Your Christmas book.”
For months, that’s how my editor and I referred to
my fourth book for Harlequin American Romance.
See, I’d told her the story took place around Christmas time, and she
said something along the lines of, “It’d be good for you to have a Christmas
book.” So, even though the most of the
story takes place after Christmas, it
went on the December schedule. And,
until we decided on a title, we referred to it as “your Christmas book.”
Is it any wonder that when we started talking about
cover art, I imagined a Christmas tree and gaily wrapped packages?
Months passed.
The story progressed from a one paragraph summary to a ten-page synopsis
to a full manuscript. For weeks, I rode
along with Ty and Sarah on a cattle drive through Florida’s version of the Old
West while their ties to the little boy abandoned on Sarah’s doorstep Christmas
Eve deepened.
Though we still occasionally referred to it as “your
Christmas book,” the story found a great title:
Rancher’s Son.
And then came the day when the cover art for
Rancher’s Son arrived in my inbox. I
clicked on it...and instantly fell in love with Harlequin’s Art
Department...again. Because of all my
covers, this is my favorite.
Her job with the Department of Children and Family
Services has exposed Sarah Magarity to the worst side of parenting, so much so
that the altruistic red-head has vowed never to have children of her own. Fourth-generation cattleman Ty Parker looks
into his childless future and wonders what will become of the ranch he’s worked
so hard to preserve. His answer might be
a five-year-old boy abandoned on DCF’s doorstep, but only if the cowboy
convinces the jaded social worker that he’s good father material on a two-week
cattle drive through Florida’s version of the Old West.
Rancher’s Son goes on sale November 27th, just in
time for...Christmas!
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