“Your Christmas book.”
For months, that’s how my editor and I referred to my fourth book for Harlequin American Romance. See, I’d told her the story took place around Christmas time, and she said something along the lines of, “It’d be good for you to have a Christmas book.” So, even though the most of the story takes place after Christmas, it went on the December schedule. And, until we decided on a title, we referred to it as “your Christmas book.”
Is it any wonder that when we started talking about cover art, I imagined a Christmas tree and gaily wrapped packages?
Months passed. The story progressed from a one paragraph summary to a ten-page synopsis to a full manuscript. For weeks, I rode along with Ty and Sarah on a cattle drive through Florida’s version of the Old West while their ties to the little boy abandoned on Sarah’s doorstep Christmas Eve deepened.
Though we still occasionally referred to it as “your Christmas book,” the story found a great title: Rancher’s Son.
And then came the day when the cover art for Rancher’s Son arrived in my inbox. I clicked on it...and instantly fell in love with Harlequin’s Art Department...again. Because of all my covers, this is my favorite.
Her job with the Department of Children and Family Services has exposed Sarah Magarity to the worst side of parenting, so much so that the altruistic red-head has vowed never to have children of her own. Fourth-generation cattleman Ty Parker looks into his childless future and wonders what will become of the ranch he’s worked so hard to preserve. His answer might be a five-year-old boy abandoned on DCF’s doorstep, but only if the cowboy convinces the jaded social worker that he’s good father material on a two-week cattle drive through Florida’s version of the Old West.
Rancher’s Son goes on sale November 27th, just in time for...Christmas!